Why the COVID-19 hiatus was a present for Fringe veteran Michael Simic.

When strict new COVID-19 guidelines had been launched in late March 2020, it marked the start of a 12 months from hell for the performing arts sector.

Because it turned out, the Adelaide Fringe – which wrapped up one other report-breaking 12 months the evening earlier than the measures got here into impact – can be the final alternative for a lot of artists and assist crews to ply their commerce. For many, life nonetheless hasn’t returned to regular.

It didn’t take lengthy, nevertheless, for Fringe veteran Michael Simic, who Adelaide audiences may know higher as Mikelangelo from exhibits together with La Clique and La Soiree, to discover a silver lining.

“I feel COVID has been the largest blow for the performing arts, but it surely’s additionally been surprisingly one of many largest presents we might have been given,” Simic says.

“After the preliminary shock, and I don’t wish to say this for everybody as a result of I actually acknowledge the struggling that lots of people have gone by throughout the board, (nevertheless) quite a lot of artists I do know, after they received used to it, breathed just a little sigh of aid.

Simic says this aid got here from not having to continually put himself on the market, saying “hey, right here’s my factor”, which he says is tiring and generally soul-destroying work.

“A part of the artistic journey is to enter the cave by yourself or along with your group of trusted collaborators you make work with, and have a while away from the general public eye, uninterrupted, to give you stuff, and that’s when the actually great things typically comes,” Simic says.

“And you then come out with what you discovered in your journey and share it with folks.

“I feel generally the cycle of regularly needing to make a residing out of our work, to continually be placing it on the market, doesn’t go away a lot time for that recuperative, creating means of thought, reflection and making.”

Simic isn’t any stranger to the grind of the Pageant circuit and the calls for of touring. He carried out at his first Adelaide Fringe in 1992, the place he spent a sweltering few weeks sharing a hammock with a pal on the entrance porch of a hedonistic West Hindmarsh share home.

Since then Simic has carved out a various performing arts profession because the lead singer of Mikelangelo and the Black Sea Gents, as a star of exhibits similar to Japanese Bloc Rock — Mikelangelo as The Balkan Elvis on the 2018 Adelaide Cabaret Pageant, and as a stalwart member of La Clique and La Soiree.

Simic was a solid member of the unique ‘prototype’ season of La Clique at Edinburgh Fringe in 2003, and has toured the world – together with to New York, London and Dublin – with the productions over time.

Simic returns to The Backyard of Unearthly Delights with a brand new providing, shedding his Mikelangelo moniker in order to raised share by his music extra private tales from his life and his expertise of changing into a father at 50.

“I assumed, ‘Hey, it’s time to man up and be myself’,” Simic says.

“I additionally suppose it’s good to see a little bit of openness and vulnerability from blokes. (This present) allowed the emotional scope to open up much more… the humour and enjoyable and absurdity (of Mikelangelo) continues to be there, however inside the emotional scope I can go to different locations that changing into a dad has taken me.”

Simic says the 2021 Adelaide Fringe is a crucial one for performing artists.

“Fringe is a room for all of the ugliness, all the sweetness, all of the in-between, and that’s why it’s wonderful,” he says.

“You don’t have to love every part, however the potential to search out one thing that can actually flip you on or change your life is there, and I feel that’s an thrilling factor for audiences, but it surely’s an thrilling factor for artists too, as a result of we’re hoping our present will discover an viewers and discover a market.”

Michael Simic is performing Caravan Songs in The Spiegeltent at The Backyard of Unearthly Delights on Saturday 20 February at 6:30pm.

Help native arts journalism

InReview is a floor-breaking publication offering native {and professional} protection of the humanities in South Australia. Your tax-deductible donation will go on to assist this impartial, not-for-revenue, arts journalism and critique.

Donate Right here

Sharing is caring!


Please enter your comment!
Please enter your name here